Friday, March 19, 2010
Alma Mater Hoops Update
Yesterday Ohio smacked Georgetown around as if their seeds were reversed, running away with a 97-83 victory. Georgetown only managed to come as close as 7 at about the five-minute mark of the second, but OU responded with a three and controlled the game the whole time. I don't want to count chickens, but there is a better-than-outside chance that OU could end up facing Ohio State, which might well qualify as the biggest sporting event in OU history. The Bobcats beat Kentucky in the tournament in 1964, but given that Ohio State is the big in-state bully, and given how much bigger the NCAA's are now, a Sweet Sixteen matchup with the Buckeyes would surpass anything I know about in Athens.
Closer to my heart, Williams defeated Guilford today in the DIII national semis 97-88 in a game that was a nailbiter until the end. Williams was actually down eight at the half but shot the lights out in the second half. Williams won the national championship in 2003 and has gone to one other championship game. The Ephs will face the University of Wisconsin-Stevens Point tomorrow.
Wednesday, March 17, 2010
Remaking Memory or Getting it Right
I suspect that Tom likes Saving Private Ryan more than I do, but I think he does a really good job of placing the movie within the larger filmography of which it is a part and in putting forward a useful argument about the ways in which memory and history interact and how we think of World War II as a result.
Rahabilitating Grant
In reality, what fueled the personal defamation of Grant was contempt for his Reconstruction policies, which supposedly sacrificed a prostrate South, as one critic put it, “on the altar of Radicalism.” That he accomplished as much for freed slaves as he did within the constitutional limits of the presidency was remarkable. Without question, his was the most impressive record on civil rights and equality of any president from Lincoln to Lyndon B. Johnson.
The whole thing is worth reading.
Tuesday, March 16, 2010
Revisiting the Greatest Idea Ever
Every year it seems the same debate plays out when addressing the bubble teams and the field of 65. It is a field of 65 because in its infinite wisdom the NCAA decided to make the two weakest teams go to Dayton and hold that "play-in game." But rather than subject these teams to that insult, why not take the last four at-large slots and have four play-in games, one for each region, pitting the last four teams from major conferences against the last four teams from mid-majors. It would make for a hell of a Tuesday, would help settle the mid-majors versus majors debate, and would allow every conference tournament winner a guaranteed slot. Reserve the 13 slot for the winners of these games, as customarily the 13 seeds are among the last into the field.
You're welcome.
Alma Mater Hoops Watch
Going to college did not make a lot of difference on this front. I bleed purple and gold for Williams athletics, but Williams is a Division III athletic program, and while we have the greatest athletic program in all of DIII, it is simply not the same as the spectacle of major-level DI sports. I pursued my MA work at UNC-Charlotte (which now goes simply by "Charlotte" for athletic branding purposes). Charlotte has a respectable basketball program, once made a Final Four, and had a run in the period from the mid 90s to the middle of the decade just past when an NCAA run was the norm. Nonetheless, Charlotte straddles that line between major and midmajor-level program. For my PhD I attended Ohio University in the Mid-America Conference, for which the term "mid-major" was pretty much coined.
Otherwise my loyalties come and go. I have been a fellow at both Virginia and South Carolina, so I have tried with middling levels of success to appropriate those schools. I teach in the UT system and my paycheck (and tenure decision) come from Austin, so I gravitate toward the Horns. Duke was the most prominent and persistent college to recruit me for track out of high school, so I am not only not a Duke hater, I actually like to see them do well. Despite the appeal of being a free agent, it's a lousy way to go through life as a college fan, and I have always said that if I were to get a job at a college with big-time sports I would engage in full immersion and would write a book called "Becoming a Fan" based on that first year of overcompensation.
In any case, as usual, my alma maters are experiencing various levels of involvement with the Madness of March. Williams is ranked second in the country and has made the DIII Final Four, which is played every year in Salem. Williams has been there before, having won once, and has a good shot again this year. The Ephs will take on Guilford College on Friday for the right to play for the national championship. Guilford was the alma mater of one of my (late) college track coaches and is a Quaker school in North Carolina which will come into the national semifinal with a 30-2 record (Williams is 29-1) and that made the national semis last year as well.
Ohio University made an improbable run through the MAC tournament, its only shot at going to the Big Dance. Their prize? A trip to Providence (freakin' sweet!) and a meeting with historical powerhouse and #3 seed Georgetown. OU took a really good Florida team to the wire a few years back, though, and while far from a national power, OU has been to a dozen NCAA tournaments and will hopefully give the Hoyas a game. I'll proudly wear my OU green and am looking forward to the game on Thursday.
The news is not so good in Charlotte. The university inexplicably (to my mind) fired Bobby Lutz, the winningest coach in program history. In a dozen seasons Lutz compiled a 218-158 record. The team had its worst record in a long time last season, but was in a position for an NCAA berth this year until a collapse toward the end of the year and in the first game of the A-10 tournament scuttled any hope to make the field of 65. I have no idea what AD Judy Rose, the university administration, and the trustees want from the basketball program, but if the next dozen years look anything like the dozen just passed, it seems to me that it will be a rousing success and Lutz should have categroically been part of the program going forward. Lutz has been at least arguably the best coach in the history of the program, is a Charlotte alum, is one of the truly good guys in the profession and the community, and had weathered the toughest storm he was likely to face after last season. He had some of his best recruits on campus and had in the past turned down opportunities to move up in order to remain at his alma mater. I will continue to root for Charlotte to do well, but this is a lousy, knee-jerk decision no matter what rationalization comes from the athletic department.
In the meantime: Go Bobcats! And, above all, Go Ephs!!!
Thursday, March 11, 2010
Coupe du Monde (Self Indulgence Alert!!!)
Serbia v. Ghana, 13 June, Pretoria
Slovenia v. USA, 18 June, Johannesburg
Nigeria v. Tolerable Korea, 22 June, Durban
Commie Korea v. Ivory Coast, 25 June, Nelspruit
Give up?
Dcat's gonna be at all four of 'em. Laduma!!!!!!!
Wednesday, March 10, 2010
Nomahhhhh!!!
Saturday, March 06, 2010
Hungover From Summer
Let's Don't Forget Bill Russell
Bill Russell.
I win. Mine beats yours. Eleven championships. One as a coach-player. (How's Micheal's career in management worked?)
Oh, and in terms of social significance? This becomes a laughable discussion. Plus, I'd take Larry Bird, Magic Johnson, or LeBron James over Kobe in any case.
Thursday, March 04, 2010
Thursday, February 25, 2010
Salt Lake City Bound
Justice Obama?
Northern Ireland's Peace
Just Asking
Wednesday, February 24, 2010
Ways Texas Might Ruin America
Monday, February 22, 2010
Charles Pierce's Blog
Tuesday, February 16, 2010
Off to Penn's Woods (Self Indulgence Alert)
30 Books in 30 Days
Monday, February 15, 2010
Um, Congratulations?
Burning Scholarship
Saturday, February 13, 2010
Commemorating Black History
Meanwhile today in Louisiana the Eddie G. Robinson Museum will open, honoring not only the legendary Grambling football coach, but also taking an honest look at segregation.
A Tragedy, Not a Case Study
Thursday, February 11, 2010
Mandela's Long Walk
Weather is not Climate
Wednesday, February 10, 2010
Wolfe TKO's Sowell
Let’s get my judgment of Thomas Sowell’s new book out of the way first. There is not a single interesting idea in its more than three-hundred pages. Purporting to deal with the role that intellectuals play in society, it offers no discussion of literature, music, and the arts. While containing copious references to Milton Friedman and Friedrich Hayek, its index lacks references to Lionel Trilling, Hannah Arendt, Saul Bellow, Daniel Bell, Jürgen Habermas, Raymond Aron, Mary McCarthy, Michael Walzer, Amartya Sen, and countless others known to have put an interesting idea or two into circulation. It recycles ancient clichés about the academic world and never questions its author’s conviction that those who share his right-wing views are always right. Jonah Goldberg calls it “an instant classic.” Case closed.
The rest does not disappoint.
I love those who have made their way in American intellectual life who nonetheless make a career out of cracking wise about intellectuals (an issue that Wolfe mines to great effect). And I especially love those who have made their way in intellectual life cracking wise about academics. Very cute. In a self-parodic sort of way.
Update: Russell Jacoby is no kinder to Sowell's quite clearly bad book over at The Chronicle Review.
Tuesday, February 09, 2010
Nazi Propaganda for the Arab World
Monday, February 08, 2010
Going to the Dump
You would never know it from the madding crowds of tea partiers and talking heads, but this Congress has been a whole lot more productive than you think.
For all of the insults going Obama's (and Eric Holder's) way for allegedly radically changing how we deal with accused terrorists, it turns out that this administration has pretty clearly followed many of the precedents of its predecessor. So, yeah -- Obama's critics are largely uninformed. Shocking, I know. If anyone has a right to be angry it would be Obama's critics from the left, but they tend to wallow in their own blissful ignorance. All of this simply serves as a reminder that today's conservatives would reject much of what Ronald Reagan represented in reality (as opposed to in their purist caricature of him) but then you knew that already.
At TNR William Galston takes on some of the more sophisticated conservative critiques of Obama (they are out there, believe it or not). In so doing he mounts a nice defense of liberalism, something that should have never needed a defense.
Finally, at TNR's The Book, dcat friend and former mentor Jeffrey Herf reviews Robert Wistrich's A Lethal Obsession: Anti-Semitism from Antiquity to the Global Jihad.
Friday, February 05, 2010
President of the Other America
Thursday, February 04, 2010
Questioning the Book Review
But take my own solipsism out of it and the questions are fundamentally the same. Why is that person writing a review of X and not (Persons Y, Z, A, B, D) who are clearly more qualified to do so and at least one of whom would surely respond to en email from the Times? Why is this book being reviewed at length and not all of these books that have come out lately?
Two examples speak volumes from Sunday's Book Review:
Why does Kaiama Glover get to review Chinua Achebe's new book, The Education of a British-Protected Child? Glover is an assistant professor of French at Barnard, and from what I can tell, most of her work has been on Haiti. Chinua Achebe is from Nigeria, which was not even a Francophone colony. When Nigerians looked to the metropole (and looked to pull away from it), they looked to London, as the title to the new book of Achebe's essays makes clear. Look, I do not resent Glover taking the assignment. She'd be a fool not to and I would accept an assignment to review an astronomy textbook to get to write about books for the Times. But are there really no, say, tenured professors of African literature out there? Are there no tenured professors of Anglophone literature who would have fit the bill?
Perhaps more vexing, why on earth does Catherine Millet's new book, Jealousy, get two full pages in the Sunday Book Review when it is a quite clear that it is not a very good book. Millet is the author of a controversial memoir about her sexual profligacy. Jealousy is a memoir about her jealousy over her kinda-sorta significant other's dalliances with a handful of other women during a time period when Millet admits to sleeping with hundreds of other men herself. The subject matter, if self indulgent, is not the problem. The problem comes in the fact that the reviewer, Toni Bentley is pretty withering. Bentley does a great job. It is a fun review to read as a result. And again -- given two full pages in a publication of that status I'd happily review the worst crap imaginable and would have a hell of a time doing it. But there are hundreds of authors of good books who would kill for that real estate for their own much better books.
I've always thought that reviews of bad books, except for books that are clearly important (and Millet's does not count, sorry), should go into a sort of dustbin in which the reviews are truncated to the length of those included in the "Fiction/Nonfiction/Poetry Chronicle" that the Book Review runs near weekly, opening up space for books worth reading, and thus worth reading about. In the meantime, editors -- email me. The answer is yes.
Wednesday, February 03, 2010
Starbury in China
The Greensboro 4 at 50
Indeed, when I talk about the Civil Rights Movement I often try to hold two wholly contradictory ideas in my head at once, knowing they cannot both possibly be true. On the one hand, I embrace the idea of the Long Civil Rights Movement. In Freedom's Main Line I trace the story of the fight to desegregate interstate transportation back in considerable depth to the 1940s and recognize movements well before that decade (Plessy v. Ferguson, after all, involved transportation and not education.) In one of my current book projects I am looking at bus boycotts in the US and South Africa in the period between about 1940 and 1960.
On the other hand, there are times when I think that what began with the sit-ins really represents a new stage in civil rights, and that we might be as well served thinking of the period from February 1960 as almost sui generis in its new approach to direct-action protest. In that view, the Long Civil Rights Movement still holds, but that we then begin to think of the movement in terms of phases. This might help both to revive looking at Brown v. Board as a starting point (something that has been passe with the Long Civil Rights Movement's recent sway) for a phase of the movement while still recognizing that Brown really was not the start or beginning of anything when it comes to the movement as a whole.
I think the emphasis on the 1940s in particular has been essential. But I do not think we should let that swallow up the significant shift that the Greensboro 4 helped usher in and that the Freedom Rides helped connect. In the next few years prepare for a lot of 50th anniversary celebrations and commemorations and reflections of the lightning storm of events of the period from 1960 to 1965 or so.
Sunday, January 31, 2010
Saturday, January 30, 2010
Honey, Can You Take Out the Trash?
Which is why it is so incredibly dispiriting to read a piece like this one, by Sandra Tsing Loh, in last week's Sunday Times. The purpose of the column, from what I can tell, is to brag that she makes more than the man in her life; to allow her to concoct an idealized and self-indulgent picture of a romanticized 1950s scene domestic bliss; and in ways that are not clear to tie it all into the difficulties of modern life. This is a column we've all read ten thousand times before. Surely the Times received a hundred potential contributions this week that the editors did not even deign to recognize with a response that were more substantial and more coherent than this flatulent garbage.
Howard Zinn, Not a Good Historian, RIP
Zinn was an incredibly popular historian whose advocates somehow pretended had been overlooked despite the fact that he wrote one of the all-time best-selling works of history in A People's History of the United States. But popular is not the same as good. Bad books sell all the time while good books languish on shelves and in Amazon's warehouse. This is especially the case with works of history, where the best-selling book on a subject has literally nothing to do with its quality as a work of history.
A People's History is not only not very good, it is quite bad (this 2004 takedown by Michael Kazin in Dissent is a pretty damning indictment). It is thesis-driven history that is selective with its evidence and manages to be condescending and to deny agency to the very people it purports to celebrate (essentially: You've all been duped by corporate interests and the elites). It is cartoonish in its shallowness and lack of complexity.
Zinn was a polemicist. He could be a remarkably good reporter. (His insider's account of the Student Non-Violent Coordinating Committee is still useful for historians even if it is not in any meaningful way a work of history.) And he wrote well. But as a historian he fell far short. And he could be an incredibly shoddy thinker. His simplistic leftism (and by any measure I am what would have been called in another time "a man of the left") substituted ideology for historiography and agitprop for scholarship.
Thursday, January 28, 2010
Buyer's Disappointment
But there is something worse. Buyer's disappointment. We all know it. The movie you really looked forward to seeing that sucks. The book everyone is raving about that you cannot get into. The cd that you read about that fails to match the reviews.
We all live with buyer's remorse because it's our own damned fault. But buyer's disappointment? Well, that's someone else's fault. The director, the author, the musician: They disappointed you. Worse, they fooled you, or the hype machine fooled you.
I think I might be a victim of the hype machine. A while back I bought an ep by a South African quarter whose buzz was enormous. Blk Jks are supposed to be everything I like about music: A little bit indie, a little bit rock, a little jazzy. They play to my work by being South African, and to my curiosity by transcending the provincial South African music scene (hell, it seems they surpassed the South African music scene -- I had never seen or even heard of them until the past fall, well after my last trip to South Africa.
So I spent the ten bucks on their ep, Mystery. The ep aspect may be part of the problem. Four songs is not enough to get a feel for a band, especially one with eclectic influences. And to be fair, I did not know what to expect. Would I hear standard South African rock (which more often than not is pretty derivative)? Would there be Kwaito influences? Hip hop? Mbaqanga? I had no idea.
I still am not sure exactly how to describe Blk Jks. But if I had to come up with a sonic parallel, I would say that they sound an awful lot like TV on the Radio, a much hyped band that I like, but whose sonic experimentation can go awry and veer toward the atonal. But it did not grab me, and I continue to feel disappointed, if not in them (they promised me nothing, really) then in myself for not quite feeling gripped, which is always how one wants to feel when taking in new music (or for that matter books or movies).
But I'm going to give Blk Jks another chance. They have a full album that came out last fall, After Robots, and I'm going to hope that a full disc of songs will capture me in a way that Mystery's small handful did not. So, Blk Jks, maybe it was not you, it was me. But if After Robots disappoints? Then I think maybe it will have been you.
Premature Celebration
Wednesday, January 27, 2010
Reagan and Modern Conservatism (With Bonus Self Indulgence!)
Tuesday, January 26, 2010
NBCC Book Award Finalists
Monday, January 25, 2010
Down Goes WaPo!
Thursday, January 21, 2010
A Rule
Understandably, perhaps, it's not every season that an Ivy League team participates in the hysteria surrounding the annual March Madness tournament, yet the teams share a long and exciting history of extremely competitive basketball.. . . and then complain about "the terrible writing in The Book of Basketball: The NBA According to the Sports Guy."
Read the excerpted sentence. I have no idea what it means. For one thing, what is its subject? And since the regular season Ivy League champion receives an automatic bid to the NCAA tournament every year, the sentence seems factually wrong if it says what I think it is trying to say. I know it's sort of unfair to cherry pick one sentence from a review like this. It's a bit like criticizing someone for grammar or a spelling error or a typo in a blog comment. But when you lead off your discussion of a book by saying it is terribly written, you really cannot afford a shit-storm of a sentence like that in your 800 words.
The Oxford American Loves Books
I can vouch for Colum McCann's Let The Great World Spin. I nominated it for the fiction category for this year's National Book Critics Circle Awards. Despite being set in 1974 it is in many ways our greatest 9/11 novel.
Freedom Riders Preview (Self Indulgence Alert)
Given my small part in the documentary, I cannot wait to see the whole thing. If you are so inclined, you can always get a head start by reading this . . .
Thursday, January 14, 2010
Me on TV Re: Terrorism (Self Indulgence Alert)
Aguila Bait
The historian Elizabeth Fraterrigo asks us to accept a somewhat unlikely premise, which is this: A titty magazine that has been culturally irrelevant since the late 1970s was at the forefront of many of this nation’s most important social upheavals and reconfigurations. It is to her book’s credit—and, it must be said, to Playboy’s—that one closes her book largely convinced that she is right.
Hopefully this guy will weigh in, as he knows of which he speaks on this particular cultural question.
Monday, January 11, 2010
FPA Africa Year in Review (Self Indulgence Alert)
TNR's The Book
Thursday, January 07, 2010
At the Movies: An Etiquette Primer
We thought wrong. From almost the beginning a couple at the end of our row was yammering on. They were not kids. And they were not old people. I'd guess 50-something. I am no shrinking violet, so I asked them, loudly enough to encourage a public shaming from what I hoped would be an equally exercised vox populi, to "Stop Talking, Please!" They actually glared across the empty seats to me. And they talked for the remainder of the movie. Constantly. I said nothing else, not wanting to be a hypocrite and wanting to maintain the moral high ground, but I fumed for the next two hours or so. And they were not alone. Two guys, maybe a bit older than I am, on more than one occasion shared their comments with us all from nearly directly behind our heads.
Finally, Mrs. Dcat, who is not as aggressive as I am, finally had it. She went and fetched security. The security guard sat in the back. The two guys behind us, in his row (we sat second from back) did not realize he was there and started talking loudly. They got tossed. But that other couple somehow kept quiet for the two minutes the guard was there, and as soon as he left continued their conversation up into the closing credits. I literally had to wait until they left, because, and this is no hyperbole, there would have been physical violence. It was probably the most self-control I have ever shown in my life. I hate myself for it. These cretins talk throughout the whole movie, and if I punch the guy's lights out, I'd be the one to go to jail. This is an unjust world.
When did this behavior become commonplace? (And it is soul-crushingly common.) It ruined the movie for us and pretty much ensured that we do not go to the movies in the theater for a long, long time. Fortunately we have a great drive-in that does first-run double features for $5 a person, so we'll still get to see movies as they come out, but we will still miss many that we want to see and will be restricted to the time and circumstance that the format demands. No more matinees for us. No indie films, or documentaries, or short-run films that cannot be paired with fairly mainstream fare. Thank God for Netflix, I guess.
[I am exempting movies geared toward the kiddie crowd. Different situation, different rules, different expectations.]
What follows is the sort of advice that should be so obvious that no one has to say it. Or so I would have thought.: If you are one of those people who thinks it is ok occasionally to chat, or to compare notes, or to talk to the screen, or to share your brilliant witticism with us, or to ignore the "turn off your cell phones" rule, it is not. It is not ok. You are a fucking asshole.
Tuesday, January 05, 2010
Walk The Plank to Chait
Although I've read it less closely and linked it even less frequently in the last year or so, I was bummed out to see that The New Republic's Blog "The Plank" is closing its doors. The good thing is that Jonathan Chait, one of TNR's best and most astute writers, is starting his own blog, though it seems that it may just be a place for him to aggregate his magazine writing.
Wednesday, December 30, 2009
Disunity in South Africa (Self Indulgence Edition)
[Cross-posted at the Foreign Policy Association's Africa Blog.]
In the Changer: New(ish, Mostly) Stuff Edition
This is all stuff that I've listened to a lot in the second half or so of 2009. I imagine this will be a multi-post edition. (And just a reminder: for those of you wondering why the grades end up being so high, these are filtered reviews of music I've been listening to. When people start sending me music indiscriminantly to review, I'll be able to bear fangs. Until then, this is generally stuff I liked over the last few months, even if all of it did not come out this year). Without further ado, here is the first batch:
Amadou & Mariam -- Welcome to Mali: This is my favorite West African music produced by a blind married couple since at least their last album. And it should be yours too. What the hell is it with Mali? Per capita that vast but sparsely populated West African country must produce more great music per capita than any country on earth. A polyrhythmic confluence of blues and pop and jazz and highlife and rock and a melange of African styles, Welcome to Mali continues the run this duo has had over the last decade or so when they first exploded into public consciousness (they have been recording together since the mid-1970s). Use this as your introduction to them and work backward. Grade: A
Arctic Monkeys -- 'Humbug': I think it is a law that all writers who tackle the Arctic Monkeys must refer to them as "lads from Sheffield," so consider that requirement fulfilled. This is their third album and it's good. It also represents a modest but clear attempt at departure. Arctic Monkeys have done well with snide and cynical postpunk-pop songs about suburban pub life and poseurs and the various dipshits one runs across in daily life, especially in suburban pubs. And there is still more than a hint of that here. But 'Humbug' feels a bit brooding, a bit down tempo, a bit sludgy, all of which can probably at least in part be attributed to the production of Queens of the Stone Age frontman Josh Homme. And given that the lads from Sheffield are no longer really lads and they have moved their worldview from Sheffield, change was to be expected. Lead singer Alex Turner writes his own lyrics and he knows his way around a clever phrase. ("What came first, the chicken or the dickhead?" is intended to be rhetorical. I think.) The question becomes whether this will remain a very good little band or whether it will grow to the scale that they promise. 'Humbug' tells me that this is a band in the process of becoming. The question remains: What will they become? Grade: B+
Bon Iver -- For Emma, Forever Ago: I have one question for Bon Iver and Damian Rice and Cat Power and to a lesser extent Fleet Foxes and Animal Collective and their ilk (Grizzly Bear, eg.) and a whole host of other bands and artists I really do like: What the fuck's up with recording in a whisper? I'll get three minutes into a Damian Rice song before I realize: This shit isn't going to get any louder; it's not all part of a languid introduction that's going to go somewhere. So, Bon, maybe Emma left (I'm assuming she did -- why else would you devote such a mopey effort to her?) because you wouldn't fucking speak up. It's ok to be both introspective and audible. If I want to fall asleep to you or have you as background music, I know how to turn the volume knob (they still have those, right?) down. But now if I put in an AC/DC album, which I am wont to do, glass in my home will shatter when I turn it on because I had to have your damned music cranked up just to hear it at all over the dryer whirring away in the other room. So: Good songs? Check. Nifty instrumentation and interesting vocals? Yep. Folk-indie rock hybrid? Oh yes. A few glorious moments? Yessir. But given that any ambient noise whatsoever makes this album nearly unlistenable, please, pal, next time turn it up just a little? You can be bummed out. Just do it a little louder. Grade: B
Jeff Buckley -- Grace: It's hard to believe that it has been more than 15 years since Buckley's lone studio album in his lifetime came out, scoring tail for a million savvy guys who could get this onto their stereo when they got a girl back to their rooms. The story is familiar: Buckley, the insanely talented progeny of the insanely talented Tim Buckley, revealed his endless promise with this album, only to die tragically swimming in a chennel near the Mississippi, eerily reminiscent of his father's own equally mysterious passing (well, dad died of a drug overdose, but give me some narrative license here). I did not really arrive at this album until about 1999 when I had a girlfriend who was in love with it introduced me to it (thus turning the table on the savvy guys). My thoughts now are just about what my thoughts were then: This guy is insanely talented and the music is in some ways uncategorizable. But it does not quite have the songs. It has moments that are quite sublime within what are supposed to be the songs, and the sings, such as they are, are geared toward these moments of sublime talent. But the whole does not quite cohere. But then came track #6. Hellelujah. You probably know the Leonard Cohen original. The Jeff Buckley version brings tears to my eyes every time. It is one of my single favorite renderings of any kind of music ever. It is nearly perfect, and in the light of what would later transpire, heartbreaking. Grade: B+, Hallelujah: A+
Neko Case -- Middle Cyclone: Neko Case is like the super-cool, super-hot chick in your favorite bar, the place where all of the indie bands play when they come into town. Just when you muster up the courage to say something to her, the break between bands is done and she steps on stage as the lead singer of the second band, the one that comes on before the headlining act, a band whose music, but obviously not the personnel, you know. Middle Cyclone is her sixth solo album, something all the more shocking when you realize that she also is part of the glorious collective that is The New Pornographers (and in fact the quality of a New Pornographers album is directly related to the amount of Neko Case contained therein). There was a time when case could easily be slotted into the alt-country/y'alternative category, but Middle Cyclone transcends that limiting category, much as does Wilco's career trajectory after their first album. And like Wilco, Neko Case produces guitar-and-singer-driven rock and pop, in the best traditions of both rock and pop music. She has a clear, strong voice that sings clear, strong songs. But don't kid yourself -- she's going home with someone else tonight, unless she chooses to go home alone. Grade: B+
Dirty Projectors -- Bitte Orca: How you feel about this album will be directly related to how you feel about "complicated" or "experimental" music. Because Dirty Projectors is a pretty self-consciously difficult band. I am fine with complicated, or at least complex, but "experimental" oftentimes ain't my bag and so I shied away from this album, recommended to me all over the place, for much of the year. This is a band, after all, whose last full-length album recreated a Black Flag album from memory, which strikes me as a bit too meet-cute. Nonetheless, I succumbed, and while the album has not blown my mind it is one that improves on multiple listenings. I could still do without some of the atonality. And sometimes the playing around with key signatures comes across as a bit gratuitous. And in the end I suspect that a lot of people who like this album actually like people knowing they like this album more than they actually like this album. Grade: C+
At the FPA Blogs (Semi-Self Indulgence Alert)
The newest addition to these blogs is Reza Akhlaghi, the first addition under my watch. He is our new blogger on Iran and his first post is must-read stuff. Here is my introduction of Reza at the Iran Blog.
Friday, December 25, 2009
Merry Christmas!
Thursday, December 24, 2009
Taking on the Dumb Jock Stereotype (Again)
I want to take issue with the following assertion in this post:
“A culture that idolizes physical skill (sports of all kinds) and has no use for intellectual skill (the smart or knowledgeable stigmatized as nerds), that places physical passion above all possible other passions, except perhaps that for winning, is not one that believes books are important.”
This is just plain silly. It is possible, just possible, that millions of Americans can value both sports and books. Folks like Norman Mailer and Ernest Hemingway and George Plimpton and John Updike and Doris Kearns Goodwin (the list could go on for pages) all managed to value (and write about) sports and yet still somehow also to care about books. The creation of false dichotomies and strawpersons in a post that would seem to celebrate the intellectual life is ironic, because it shows poor analytical skills and sloppy argumentation, the opposite of what intellectuals are supposed to value.
There are lots of problems with our culture with regard to books. But a passion for sports has nothing to do with it. Blaming jocks is commonplace amongst too many intellectuals, which does not make it any less dumb.
I want to augment this a little bit here. When I was in grad school there were lots of social divisions. One of the more pernicious ones came between jocks (which included former athletes but also simply fans of sports) and non-jocks. And of course the non-jocks possessed that air of superiority that McAfee reveals in her post. Which was somewhat problematic since almost universally the jocks were also the better graduate students in our program. But the very stereotype allowed the non-jocks to feel superior despite the fact thet their superiority was unearned and undeserved. There is something bizarre about certain circles in intellectual life that allows being anti-athlete to be not only acceptable, but to be heralded.
When I wrote that the list of intellectuals who demonstrably care about sports could go on for pages, I was not kidding. Stephen Jay Gould and Gay Talese. David Halberstam and George Will. Michael Lewis and David Foster Wallace. Stewart O'Nan and Frederick Exley. Not to mention those academics who write about sports -- Chuck Korr and Charlie Alexander and James Carroll and Amy Bass and dozens of others spring to mind. And the ranks of those who are predominantly sportswriters yet who write well enough to transcend the stereotypes of that genre warrants more than scorn -- Bill Simmons and Sally Jenkins and Bob Ryan and Bud Collins and John Feinstein and Dick Schaap and Tony Kornheiser and Michael Wilbon and Rick Telander and John Ed Bradley and myriad others. (Unless I am misreading McAfee's website and Amazon and Worldcat, she has not ever actually published a book, unlike all of these people, with their crazy sports affinities.)
The idea that sports is the enemy of books or the intellectual life is a muddleheaded argument put forward by people who have decided they are the enemy of sports and who have elevated their prejudice to the realm of virtue. But it's not virtue. It's ignorance. And it is not to be lauded. It is to be scorned.
As a perhaps relevant aside, or at least for the sake of full disclosure, I am a member of the National Book Critics Circle. I also have written a couple of scholarly journal articles on sports, have written at least a dozen reviews of books on sports, am working on a project that may become a book on sports, and have published a book on a sports-related topic. I was one of the jocks in my graduate program, and in some circles of detractors was seen as the jock ringleader. I also care deeply for books, for book culture, and for American intellectual life. False dichotomies and strawmen are dumb. They are also deeply intellectually dishonest and indeed are anti-intellectual.
Wednesday, December 23, 2009
6 in 10 for 3
Tuesday, December 22, 2009
Patricia Marx is an Ass
New York is rich in culture, cuisine, and commerce. The suburbs have parking spots and fast food, and they also have Michael’s, the largest arts-and-crafts supply chain in North America.
I love cities. I love the east coast. Outside of its sports teams (and fans) I love New York. I live in West Texas, decidedly not an enclave of the east coast elites. But I am associated with of those folks by background, by politics, by temperament and by preference. Patricia Marx, you are the reason why a mendacious drizzlewit like Sarah Palin can plausibly differentiate "real America" from her stereotype of a segment of the east coast. I hope you drown in a yachting accident. I hate nothing more than when my own side frags me with their idiocy.
Pre-Holiday Links
I'm very much interested in reading John Milton Cooper's massive new biography of Woodrow Wilson.
If you want to get stuff you almost always have to pay for it. Taxes are not a form of creeping socialism. They are a sign of a responsible society. There is a huge difference.
Spin has a slideshow of its 40 Best Albums of 2009. Begin debating now. (I must be getting old. I sort of miss the days when reading a simple list, preferably with annotations forming some sort of argument, was enough to kickstart a debate. The slideshow googaw takles a lot of time, is inconvenient, does not actually facilitate anything, but it does have images. And it takes up more bandwidth. So that's something.)
Most of the climate change doubters are basically fools. But you knew that already. I hope.
The quality of Cornel West's work has, in the minds of many, gone seriously downhill. The trajectory pretty much is in direct negative relationship with his public fame.
Invictus was very good and reasonably historically accurate. I'm working on an essay on the movie, the book on which it is based, and another book on South African sport. Hopefully I'll have good news on that front down the road.
A Nation Forged in War, The Cover
Freakin' Awesome. It'll be out in spring 2010. Congratulations, Tom.
Wednesday, December 09, 2009
Ready For My Close Up! (Self Indulgence For Something I Did Not Really Accomplish Edition!)
I got even better news last week. Freedom Riders will be one of 16 documentaries (out of more than 860 submitted) and will makes its World Premiere in the US Documentaries Competition at next year's Sundance Film Festival, which runs from January 21-31, 2010 in Park City, Utah. Obviously my participation has zero role in Freedom Riders being accepted for Sundance I (and may have been a detriment). Still, it's a nifty little thrill even to be associated with something like this. I guess it's time for me to get some head shots!
Monday, December 07, 2009
Mega Self-Indulgence Alert
It has also appeared on websites ranging from History News Network to The Dallas Morning News to USA Today to WBIR.com (Knoxville, TN), to Florida Today.
As long as I'm cranking up the self indulgence, I also may as well mention that on Friday, April 23, 2010 I'll be giving a talk at the Newberry Library's Dr. William M. Scholl Center for American History and Culture as part of the 2009-2010 Chicago Seminar on Sport and Culture. The title of my talk, part of a larger project on sports, race, and politics in South Africa since 1994, is "Stopped at the Try Line?: Rugby, Race, and Nationalism in Post-Apartheid South Africa." I have an article with a similar title coming out in the next couple of months.
Thursday, December 03, 2009
Herf v. Wolin: Heavyweights Square Off
The State of State Universities
Among the participants was Richard Vedder, an economist and economic historian from Ohio University where I received my PhD. I know Professor Vedder but never took a class with him at the Contemporary History Institute, with which he is affiliated as a professor and I was affiliated as a student. I disagree with much that he says but I am always glad to see OU folks getting such attention.
Monday, November 30, 2009
TNR Tosses Around the Pigskin
My prediction: Patriots 38 Saints 31.
Wednesday, November 25, 2009
Marfa, Texas (And Thanksgiving Greetings)
Have a Happy Thanksgiving, everybody.
Quid Quo Pro(file) (Self Indulgence Alert)
Bruscino Bait
As a result, though, Colley gets to make a pretty history-centered argument. I have no idea as to the merits (or novelty) of the argument, though I have to assume that by going after Eisenhower Colley is positioning himself in some sort of revisionist camp. Hopefully someone who knows more about this than I do will weigh in. (Calling Tom, Tom Please Report For Duty!)
Tuesday, November 24, 2009
One Last Cheer for the Huskies
Growing Paine
Are You Freaking Kidding Me?
You Take That Back, Sir.
Plus, Radiohead is fucking awesome.
Slow News Day in the Permian Basin (Self Indulgence Alert!)
In the Service of Clio
Monday, November 23, 2009
Stoke-on-Trent Goes Green!
Friday, November 20, 2009
Impact: Factor
Trusting America
September 11, 2001 had to speak for itself. A decade later, the deed will be given voice. KSM has gratuitously been presented with the greatest propaganda platform imaginable -- a civilian trial in the media capital of the world -- from which to proclaim the glory of jihad and the criminality of infidel America.
I have no idea what "September 11, 2001 had to speak for itself" means, and neither do you, because it is nonsense, words that are intended to be portentous and meaningful but that are instead empty and useless. But that's not the point. The point, it seems, is that Charles Krauthammer and his ilk have no faith in the very things that make us better than the KSMs of this world. They have no faith in our ability to protect a courtroom in New York City. They have no faith that our truth is better than the jihadist's propaganda. They have no faith that our judicial system can prevail.
For many on the right -- and Krauthammer is only exhibit A -- the only real factor in terrorism is that it is a useful cudgel with which to whack those they disagree over the head. In the wake of that awful tragedy on 9/11 conservatives and Republicans were quick to point out that the failures of intelligence and security were the fault of no party and no politician, or rather, of all parties and all politicians, a useful conceit for them when they occupied the White House and both houses of Congress. But ever since that moment when suddenly accountability was so difficult to glean the right has been looking for ways to paint Democrats and liberals as soft on terrorism and weak on foreign policy. And if that means disparaging the American system, so be it. When Democrats and liberals criticized foreign policy during the staggering run of incompetence that was Bush years, the right was quick to play the un-American card, so quick to impugn the patriotism of those who disagreed with them. But apparently patriotism, like everything else, is contingent upon the prevailing political winds.
I think our truth is better than the jihadist propaganda. Clearly conservatives do not. That's a shame. There was a time when he seemed to love this country. It's amazing what Democrats in the White House and on Capitol Hill will do to a man's patriotism. Who knew that conservative love of country was only skin deep?
Put Khalid Shaikh Mohammed on trial. Give his poisonous rantings the widest audience possible. Not only is it the right thing to do in terms of upholding America's values. It also is the right thing to do because unlike Charles Krauthammer, I believe both that our ideas are better than the jihadists' and that any public airing of those ideas is a win for the United States of America.
Thursday, November 19, 2009
Academics and Media
I am one of those people who laments the decline, and probably eventual death, of the print newspaper. But I do not mistake the physical presence of print and cheap paper with a loss of good things to read, viable sources of opinion, or varying viewpoints. There will always be demand for these things, and the best of today's print media will adjust, the worst will fail, and that's the way the system is supposed to work. Yes, I'd miss a real honest-to-goodness Sunday newspaper, but I also believe that even a handful of those will survive, even if in morphed, national form. But the best papers are basically national in nature anyhow. The Sunday New York Times still carries with it as metro section, but let's be real -- the average reader of the Sunday Times does not give a damn about bond issues in Eastchester.
Wednesday, November 18, 2009
Ending the Hypocrisy
I feel about the filibuster largely what I feel about the Electoral College. Both are in desperate need of reform, but no matter when you do it the motives will seem to stem from sheer politics. In the wake of 2000 reforming the Electoral College would have seemed like nothing more than a Democratic Party reaction to the 2000 election, rather than seeing the failures of the 2000 election as impetus for reform. Changing filibuster rules would almost certainly be even more problematic, though if a party got up to 65 or so votes in the Senate they could just pound it through, but then they would have enough votes to override filibusters, and would want to reserve that right for the future.
There is so much self-interest involved that hypocrisy almost inevitably follows. But there is almost nothing democratic and not much more that is republican (small d, small r) about allowing a minority to thwart the will of the elected majority out of sheer political obstructionism. I'd happily support needing a a super-majority on some issues, and on others, such as civil rights, the will of the majority certainly is secondary to Constitutional and other rights. But on their face the Electoral College and filibuster serve to protect the few from anything other than republican democracy. Let's try to get rid of these remnants of the 19th century. There are no slaveowners whose rights we have to be cowed into protecting lest they blow the whole project apart.
The Wire's Greatest Hits
[Is it me, or has Blogger made it impossible to embed YouTube videos?]
Monday, November 16, 2009
Monday Linkiness
AO Scott of The New York Times writes about the greatest movie moments of the past decade.
At The Boston Globe Renee Loth argues, rightly, I think, that Democrats should "call the filibuster bluff." Reconciliation seems smart to me -- assuming they have the 51 votes, ram that bill through. Let the Republicans whine about a democratic majority prevailing.
At Newsweek Niall Ferguson makes the provocative but dumb argument that 1979 was a more significant year than 1989. Hint: The Cold War was kind of a big deal.
The Unbearable Lightness (And Deep, Deep Dishonesty) of Sarah Palin
I am also worried about a world in which Sarah Palin is the spokesperson for modern conservatism. But today the ruthlessly dishonest Sarah Palin represents the most vocal world of conservatism, yet we know that she is deeply and profoundly mendacious. And she is unwilling to be challenged.
Based on sheer politics a huge part of me hopes that Palin becomes the GOP brand. But the problem with that would be that Republicans would then be compelled to support her. I knew Ronald Reagan. I loathed Ronald Reagan. And yet Sarah Palin is no Ronald Reagan. I hope that America's right knows the difference. I fear that they don't.
Sunday, November 15, 2009
Up! Again
Up! is simply a beautiful movie. Toward the beginning it has what might be the single most emotionally powerful rendering of lived love between a couple as they grow old together. It is a movie about many things, not least of them loss, and it is poignant and funny and, yes, heart-breaking. It is perfectly suitable for -- indeed might be best appreciated by -- adults, but if you do not have kids, borrow someone else's so you are not the skeevie adult going to a Pixar movie.
After watching it on dvd as part of the Mrs. Dcat Birthday Bonanza yesterday, I double down on that sentiment. I will be profoundly disapponted if Up! (I think the exclamation point is part of the title) is not a finalist for best picture, animation be damned.
Friday, November 13, 2009
Aerosmith, RIP?
One great story (that I've heard from multiple sources) among myriads that people roughly my parents' age tell that created the band's local legend involves Steve Tyler hitting on my Mom. It's an anecdote that embodies both figures quite well. At a party one night Tyler was wearing nothing but a fur coat. He went up to my Mom and sort of embraced her, opened up his coat, and put himself on offer. My Mom's response? "Put it away, Steve."
So despite the fact that it has been a long, long time since Aerosmith put out anything even vaguely relevant, it was still something of a shock to know that the band may be no more. Always racked by fraught internal dynamics (they broke up once before in the early 1980s) it seems that Tyler has decided to walk that way.
Deadspin Giveth to the Sportsguy, Taketh Away Brutally
I know it is too grad-schoolish of me, but I find sympathy with both Leich and Pierce on Sportsguy.
Wednesday, November 11, 2009
1989
But of course they didn't. As a general rule of thumb, the baby boomers who tell you all about how they changed the world are not the ones who actually changed the world. So some ex hippie will prattle on about peace and love and someone like John Lewis, who really did change a particularly noxious corner of the world, doesn't feel the need constantly to reinforce that point. And John Lewis is a politician, for whom plugging his role in changing the world ought to be front-and-center. (It's actually remarkable how few of the Civil Rights Movement's activists act like your apodictic baby boomers, when the irony is that they are the ones who are most in a position to act like self-important, self-righteous, and self-indulgent twits. Ahhh, baby boomers, the dubious gift that keeps on giving, even when we make it clear we really don't like the gift.)
Don't get me wrong -- 1968 was a remarkable year, made all the more so because its currents were truly international. It's a year I love to teach. And it's a year that has come to symbolize both the best and worst of that strange decade. But for my generation, 1989 was every bit as important, with the added benefit of 1989 having been a time when the world really did re-order itself significantly.
Twenty years ago (gulp) I graduated from high school and headed off to Williams. Little did I know when I made the two-plus hour ride into an entirely different world that within a few months much of the world that I knew would transform itself. The Berlin Wall, the prevailing symbol and metaphor of the Cold War, would fall, and that collapse would itself provide a metaphor for the crumbling of the Eastern Bloc and the dawn of a new era. As 1989 gave way to 1990 FW de Klerk, who had risen from the ranks of Afrikaner Nationalism with a seemingly impeccable apartheid pedigree, released Nelson Mandela from prison and unbanned the ANC and PAC, setting the stage for epochal transformations in South Africa. The Simpsons made its debut in December 1989. And of course Milli Vanilli's first album, destined to win a Grammy in 1990, was released in the United States. Tectonic shifts all.
Much like 1968, the legacy of 1989 is "Still Up For Debate." Any series of events that causes The Boston Globe to heap praise upon a Bush (albeit the competent one) is clearly monumental.
Worth Spending Your D'oh!
By the way, I don't know if I buy the idea that the new seasons are worse than the so-called golden age. Golden Age mythologies are almost always shallow and wrong, and what I find is that The Simpsons gets better with age -- episodes that at first don't blend with our idealized images of good Simpsons suddenly fit perfectly once blended into syndication.
That said, as far as favorite moments go, I would have to go with any number of Mr. Burns lines, such as when Mr. Smithers proposed that they go out for Chinese, and Burns replies, "Bah, those people are all gristle," or when, after losing an election for Governor Burns looks at the hoi paloi and remarks "Look at those slackjawed troglodytes, Smithers. Yet if I were to have them killed I'd be the one to go to prison."
Plus, I am not certain I could teach my classes without The Simpsons as a reference. The Simpsons: Is there anything it can't do?
Tuesday, November 10, 2009
Panhandling
Wednesday, November 04, 2009
Book Talk (With Special Bonus Self Indulgence!)
Speaking of major publishing events (shamelessness follows!) this weekend at the Southern Historical Association's annual meeting the University Press of Kentucky will be holding various book signings for some of its authors. I will be signing copies of Freedom's Main Line on Saturday at noonish in the book exhibit. If you are in the Kentuckianaohio area, swing by!
Monday, November 02, 2009
WaMo Turns 40