The historian Elizabeth Fraterrigo asks us to accept a somewhat unlikely premise, which is this: A titty magazine that has been culturally irrelevant since the late 1970s was at the forefront of many of this nation’s most important social upheavals and reconfigurations. It is to her book’s credit—and, it must be said, to Playboy’s—that one closes her book largely convinced that she is right.
Hopefully this guy will weigh in, as he knows of which he speaks on this particular cultural question.
